Tuning in to the Toon’s Black music heyday
Tony Henderson reports on a Newcastle exhibition celebrating African American musicians who came to perform
It was when the music scene on Tyneside was taking off – and a student who was given a taste for the times by her parents has turned her interest into an exhibition.
The event at Newcastle City Library is exploring the often overlooked legacy of African American musicians who performed in the city in the 1950s and 60s.
Curated by Northumbria University final-year history student Lily Usher-Unsworth, CROSSTOON TRAFFIC: A Celebration of African American Musicians in Newcastle Upon Tyne, 1957–1970, runs until Sunday (April 28).
The free exhibition showcases rare archival material from Newcastle’s City Hall performances, including tour posters, concert programmes, ticket stubs, and signed photographs of artists such as Ella Fitzgerald, Jimi Hendrix, Sonny Boy Williamson, Muddy Waters, Chuck Berry, and Duke Ellington.
Lily, 22, from Whitley Bay, uncovered the material during research at the City Library’s Local Studies Centre – home to the Newcastle City Hall Archive, compiled by local volunteers.
With guidance from her dissertation supervisor Professor Brian Ward, a historian of popular music, the African American freedom struggle, and Martin Luther King's ties to the UK, Lily approached the library about turning her findings into a public exhibition.
“It started as a small idea for a final-year project. But with the library’s support, it’s become an exhibition,” said Lily
“I’m thrilled to share these stories - it’s a celebration not only of incredible music but also of the cultural exchange that happened in Newcastle during the civil rights era.”
The exhibition builds on Lily’s written dissertation, titled Performing Politics: British Media, African American Touring Musicians, and the Civil Rights Movement, 1956–1970, in which she looks at how the British press responded to African American musicians during a turbulent time in US history.
She discovered that, in contrast to the discrimination many artists faced back home, they were often warmly received by UK audiences – particularly in Newcastle, a city with a love for jazz and blues.
Exhibition visitors can listen to music from the featured artists via headphones and an MP3 player, and access curated playlists via QR codes.
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Another QR code invites attendees to share their own memories of the concerts or reflections on the music. A memory box will also be available for handwritten stories and memorabilia contributions.
One item featured in the exhibition is a rare photo booth strip from the legendary Club a’Gogo, which hosted many of the performances
“My parents introduced me to Hendrix and rock, but discovering jazz through this project has been amazing,” said Lily.
“There is just so much depth to this era of music, and Newcastle played a bigger role than I think people realise.”
The exhibition opens with a nod to the recent MOBO Awards held in Newcastle, drawing a line from the past to the present in celebrating Black music-making in the UK.
Prof Ward said: “On the back of the MOBOs, Lily’s CrossToon Traffic exhibition does a great job of reminding us of the richness and the diversity of Tyneside’s musical heritage.”
Coun Abdul Samad, Cabinet member for Culture, Music and Art at Newcastle City Council said: “I am delighted that Newcastle City Library is celebrating this lesser-known legacy of the African American musicians who performed in Newcastle in the 1950s and 1960s.
“It brings to life the fascinating and rarely seen parts of the collection which highlight the impact and popularity of these musicians and is very timely as we have recently hosted the MOBO Awards and very successful MOBO Fringe in the city.
"Lily has done an amazing job pulling the material together, telling an important story that many people may not know. Well done to her."